For more information please visit our CPD - Courses page
OUR AIMS
NHIG is dedicated to the safeguarding and preservation of wrought ironwork through promoting high standards of workmanship, conservation and repair by working towards the development and creation of;
GUIDELINES on the specification of restoration work
ACCREDITATION for blacksmith conservator/restores
RESOURCE CENTRE for ironwork information
COURSES studying historic ironwork
WHAT OUR SUPPORTERS SAY
Kevin McCloud, author, broadcaster and designer said:
“I’m delighted that the National Heritage Ironwork Group exists to promote the conservation of historic forged metal. As a former forge-owner, I know the value of training and traditional skills in this most specialised of disciplines and have often marvelled at the ability of a talented smith to form a penny-end from a bar of iron or the wriggling, fluid shape of a water-leaf or acanthus from a piece of plate. When the traditions of a craft are not taught, it instantly dies. The NHIG bursaries project keeps the torch of learning alive, through study of historical metalwork and the teaching of the craft.”
Bill Martin, Conservation Director for English Heritage said:
‘The field of architectural metals conservation has for too long awaited a framework to successfully bind together the essential skills of the metals conservator and the conservation blacksmith; the aims of the National Heritage Ironwork Group will go a long way to deliver this. English Heritage fully support these aims and we intend to contribute in every way that we can to ensure their successful development.’
Rory Cullen, Head of Building for the National Trust said:
‘The number of true craftsmen and women in terms of building skills has been in decline for far too long, as identified in the recent documentation on heritage craft skills commissioned by the Government. The National Trust is therefore very keen to support the National Heritage Ironwork Group initiative, which we hope will help safeguard the future of this wonderful skill and promote an understanding of the intricacies involved in the process.’
THE NEED
Poor quality restoration work example High quality restoration work example
This recent example demonstrates
the pressing need to guarantee that the practitioner is master of the craft
before being recruited to work on listed ironwork: the scrollwork from a Grade
2* gate was poorly restored in 2001, necessitating the need for it to be done
again, faithfully to the original style and quality of workmanship, in 2009. The photograph of the original restoration shows
the lack of care in shaping components, the badly formed and rusted-through
leaves, and the inappropriate use of electric arc welding.
Ornamental ironwork demands specific specialist skills, which are hard for the practitioner to gain, which deserve recognition, and which are distinct from those required to work other metals such as lead or copper. Ironwork is however one species of conservation for which there is at present no requirement for conservator/restorers to be formally qualified.
In other conservation disciplines practitioners are expected to prove themselves by achieving some kind of accreditation. The field of heritage ironwork deserves no less.
